The visual language draws from abstraction, with texture, color, light, and composition serving as primary tools. Metallic surfaces act as both decoy and collaborator, interacting with sunlight to alternately reveal and conceal the image in response to the viewer’s body. These paintings function as sculptural sundial forms—humanoid, temporal, and in constant dialogue with light. They shift hourly, seasonally, and spatially, resisting a fixed or singular perspective and instead emerging through relational experience. Movement is central to the work both through the act of gesture, dance and the required act of moving around the work to access it fully.